Kamis, 03 Juni 2010

Ishq


Ranjit Rai (Sadashiv Amrapurkar) and his close friend Harbanslal (Dalip Tahil), are two wealthy men who want their children, Ajay (Ajay Devgn) and Madhu (Juhi Chawla) to marry each other. Unfortunately for them they are in love with less wealthy Kajal (played by Kajol) and Raja (Aamir Khan).

Each parent deceivingly get their children to sign a marriage certificate which declares them married to each other. Both the lovers refuse to back down, and their parents try everything to separate them. They eventually accept their choices and they prepare for the engagement. Unfortunately at the party, pictures are shown of Raja and Kajal acting very intimate with each other, because Raja saved her from a gang. It turns out that the whole thing was an act set up by Ajay and Madhu's parents. Raja and Kajal are willing to prove their innocence but Ranjit Rai and Harbanslal are determined to keep them away. Raja asks Kajal's uncle to tell Ajay and Madhu what happened but will not tell and Ajay and Madhu throws Raj and Kajal out. Kajal was in severe depression and Ajay and Madhu thought she was pregnant with Raja's child because they saw them out of maternity hospital and when they told her congrats and told them about their wedding Kajal tried to kill her self, but Raja stopped her. Raja went to punish them both but the police came with along with Ajay and Madhu's parents. Raja is being beaten and Kajal goes to stop them and asks Madhu and Ajay's parents to stop and indeed they do, but with a price that when they let him go they can never come back to India ever again. Kajal says yes and Raja is out. Of course when hearing this, he refuses but Kajal changes his mind. Ajay and Madhu's marriage is starring when Ajay's madaa shuts the lights and shows pictures, which tells everybody what Ajay and Madhu's fathers really did and how Kajal was attacked and Raja had come to save her and when they brought in the uncle they told how he was paid and lied for the money. He also tells him how he ruined his friendship with Raja, and how he tried to tell what happened but he wouldn't listen. Ajay gets angry and tries to kill his father but remembers his promise to Raja and stops. He then tries to kill himself but Madhu and Madaa stop him. Madaa tells them how both of their fathers made them lose the love of their life. They decide to go apologize but Madaa tells them their leaving forever and must hurry to get there. They try to hurry when Raja and Kajal are boarding the ship. Ajay gets stopped by the crewmen. Eventually they let him go through and they finally get there in time. They see that Ajay is bloodied and they see him asking for forgiveness and Kajal comes running and hugs him. Raja also forgives him and Madhu also asks for forgiveness. They also forgive and the lovers are reunited. Ajay and Madhu's fathers stop the ship from leaving in order to ask forgiveness from their children. The children forgive their fathers when they realized that this time they truly have realized their mistake. At the end of the movie, the children get married to their lovers as they have planned from the beginning.

Hum Tum


Karan (Saif Ali Khan) is a cartoonist and a self-styled ladies' man. His daily comic, named "Hum Tum," explores the battle of stereo-typical behaviour. On a plane from Delhi to New York, he meets Rhea (Rani Mukerji), but she doesn't seem the to be a least bit interested in him. His feeble attempts at flirting go nowhere, but when they have a stopover in Amsterdam on their way to New York, she agrees to spend a few hours exploring the city with him. Karan quickly learns he has little in common with the feisty but proper Rhea, but he won't give up. He ends their contentious time together with an unwelcome kiss. Rhea is outraged, slaps him, and storms off, but Karan insists they'll meet again. After a couple months living in New York, he spots her in the park, and she causes a scene with his girlfriend,who is Rhea's friend, this ends in the break-up between Karan and his current girlfriend.

Now three years later, when Karan is helping his mother plan a wedding that turns out to be Rhea's. Rhea is marrying Sameer (Abhishek Bachchan). They bicker again, but this time, they part on good terms. Years later in Paris (although the scenes were clearly also shot in Amsterdam, this part of the film is supposedly located in Paris), Karan is visiting his father (Rishi Kapoor), when he runs into Rhea again. He learns from Rhea's mother (Kirron Kher) that Sameer has died in a car accident, and he sets out to help her reclaim her positive outlook on life. Karan goes back to Mumbai, and three months later, Rhea and her mother visit. Sensing that she needs to be with a straight-laced, "boring guy", he conspires with Rhea's mother to fix her up with his shy best friend, Mihir (Jimmy Shergill). But eventually Mihir falls in love with a friend of Karans, Diana (Isha Koppikar) and they get engaged. On the engagement night Rhea learns from drunk Diana about the conspiracy. Mihir makes Rhea realize hers and Karan's love for each other. That night Rhea and Karan consummate their relation. Karan finds it a mistake and asks Rhea to marry him as he feels she could never fall in love with a guy like him. Rhea gets upset as she realizes she loves him but tells Karan that they should not commit one more mistake. Rhea leaves him as she misinterprets his confused feelings as guilt (about having made love) rather than love for her. Karan realises his mistake, and goes out to find her. One year later, Karan and Rhea reunite again. Karan admits his love for her, and they get married and have a baby girl.

Om Shanti Om


Protagonist Om Prakash Makhija (Shahrukh Khan) is a junior artist in the 1970s Bollywood film industry. He and his friend Pappu (Shreyas Talpade) are trying to succeed as leading actors. Om's mother, Bela Makhija (Kirron Kher), herself a junior artist, inspires and encourages her son to become a success. He is in love with the film actress Shanti Priya (Deepika Padukone).

One evening, Om views the premiere of Shanti Priya's film Dreamy Girl, claiming he is the actor Manoj Kumar. Here, scenes from older Bollywood films are used to form the scenes seen by Om on screen. He is shown fantasizing himself as its lead and catching Shanti Priya's eye before Dreamy Girl begins and during its display. Later that night, Om becomes drunk and describes his vision of himself as a famous, wealthy film star to Pappu and some local children. During his speech, references are made to the Law of Attraction, creating an axiom that recurs throughout the story.

On another occasion, during a shooting of a film wherein Om is acting as a scene-extra, he notices Shanti trapped in the middle of a fire scene where the fire has escaped control. When the lead actor of the film fails to save her, Om saves her instead and they become friends. He initially attempts to overawe her by pretending that he is the lead and producer of his own films, but ultimately confesses and finds the attempt unnecessary. That night, Om invites Shanti to a film set, where Om, assisted by Pappu, uses props and several backgrounds to create fantastic backgrounds against which develops a romantic song sequence.

The following day, Om tries to talk to Shanti on the set of a film, but is almost ignored. He follows her into a dressing-room, where he, unseen except by the viewer, overhears her argument with the film's producer Mukesh Mehra (Arjun Rampal) about a recent promise of Mukesh's to marry a businessman's daughter in return for funding of a film. It is here revealed that Shanti is secretly married to Mukesh, and that Shanti is pregnant with Mukesh's child. Mukesh insists that his relationship with Shanti be kept secret, arguing that its revelation will spoil his plans, but Shanti demands that they marry in public. Mukesh relents when she reveals her pregnancy. Om leaves, disappointed, and remains miserable for some days.

One night, Om notices Mukesh escorting Shanti to the set of their planned film Om Shanti Om. Inside, Mukesh tells Shanti that he will cancel the film, reveal their marriage to the public, and have a grand wedding in the spectacular set, but contradicts himself by blaming her for his loss of the film and its revenue, igniting a fire in the set, and leaving her imprisoned inside it. Om attempts to rescue her, but is attacked by Mukesh's men. When they leave him, Om enters the set, but is prevented by an explosion from rescuing Shanti and she finally gets killed. Om, having been fatally injured and propelled by the explosion into a road, is hit by a car owned by Rajesh Kapoor (Javed Sheikh), a well-known actor who is taking his wife (Asawari Joshi) to a hospital for the birth of their child. Rajesh Kapoor then takes Om to the hospital with them, but Om dies of his injuries. Moments later, a son is born to Rajesh Kapoor, who is named Om and implied to be Om Prakash's reincarnation. The film then cuts to the younger Om's adulthood, wherein he is a popular movie star and lives an extravagant, luxurious life. He experiences pyrophobia and appears overall to be a younger, more impatient, brusquer, and less emotionally mature version of his previous self. It is shown through some scenes that he subconsciously inherits Om Prakash's memories.

Having been introduced to Om Kapoor, his lifestyle, and his nickname of "O.K.", viewers see him becoming aware of Om Prakash's memories when his film crew use the site of Om Prakash's death as the setting of his new film. Here, O.K. sees images of Mukesh's argument with Shanti Priya, which vanish when he is disturbed by a crewmember. Later, O.K. is awarded 'Best Actor' during a ceremony featuring both existing and fictional Bollywood films and film stars (listed below). When making a speech of acceptance for this award, O.K. unexpectedly recalls the drunken speech Om Prakash had made to Pappu, and makes it to the assembly who have awarded him. Pappu, seeing this broadcast on television, is convinced to share Bela's conviction that O.K. and Om Prakash are the same man. At a celebration of his award (again featuring numerous Bollywood film stars, and accompanied by a song whose refrain is the film's title), O.K. is introduced by his father to Mukesh Mehra, who has been producing films in Hollywood for thirty years. Upon seeing him, O.K. becomes aware of all of Om Prakash's memories. He conceals his knowledge of Mukesh's past, but later reunites with Bela and Pappu. He then conspires with them to avenge Shanti Priya's death by terrifying Mukesh into confessing his role therein.

As a disguise and framework for this plan, O.K. convince Mukesh to recreate Om Shanti Om, altering the plot to fit their designs. It is then shown that the central part of their scheme consists of convincing Mukesh that Shanti Priya's ghost is haunting him, thereby frightening him into revealing his role in Shanti's death. To achieve this, they hold auditions for an actress who resembles Shanti Priya to the extent that seeing her unexpectedly appear and seem to vanish will startle Mukesh. They find an actress named Sandhiya ("Sandy" for short), who is a huge fan of O.K., though she is very clumsy but her resemblance to Shanti is uncanny. O.K. and his co-conspirators train Sandy to represent Shanti's ghost, but achieve no success, on account of her clumsiness, until they have told her the entirety of their plans and the reason thereof. Thereafter the filming begins. Throughout the film shootings, O.K. and his friends arrange incidents, some involving brief appearances by Sandy, that frighten Mukesh, arrange the situation itself to remind him of his crime, and exacerbate his fear almost to insanity in their (chiefly O.K.'s) conversations with him. Their plan goes awry when Mukesh investigates their arrangements and begins to suspect that they are deceiving him. During the music launch of the film, O.K. taunts Mukesh by revealing the extent to which he knows the story of Shanti Priya's death, in the process implying that his film's plot imitates that story. Toward the end of this scene, Mukesh pursues Sandy and sees that she is capable of bleeding, persuading him that she is not a ghost.

After the celebration, O.K. and Mukesh confront each other with their knowledge of each other's actions. They are interrupted when a figure whom they think to be Sandy appears on the nearby stairwell and reveals that Mukesh had returned to the burning film set after its explosion, found Shanti dying but not dead, and buried her in the center of the set, beneath its chandelier. Mukesh himself is killed when an identical chandelier, located in the same position, falls onto him, having come loose during the celebration. Moments later, Pappu and Sandy join O.K., whereupon O.K. realises that the figure who challenged Mukesh is Shanti Priya's ghost. As he realises this, the ghost smiles and runs up the stairwell and then disappears. Om Kapoor and Sandy walk hand and hand together towards the door, ending the movie.

Kabhi Alvida Naa Kehna


Dev Saran (Shahrukh Khan), a successful football player, is married to Rhea (Preity Zinta), his college friend and a hard-working woman who has a high-flying job with a fashion-magazine company. They have a son named Arjun. Reserved schoolteacher Maya (Rani Mukherjee) is about to marry her childhood friend Rishi Talwar (Abhishek Bachchan). Samarjit a.k.a "Sexy Sam" (Amitabh Bachchan) is Rishi's dad, a wealthy, bachelor, and Kamaljit (Kirron Kher) is the cheerful, peppy mother to Dev.

Dev happens to meet Maya right before her wedding, and despite being strangers, they connect instantly. The connection between the two remains a glowing spark that re-ignites when they meet four years later.

Only minutes after meeting Maya, Dev, who had signed a contract for $5 million to play professional football, is hit by a car- an accident that leaves him crippled and ends his football career. Rhea becomes wealthy and successful and begins earning money for the family, leaving Dev embittered at his own failure and angry that he cannot support his family. When Maya meets Dev the next time, he is bitter - his failed career and failing marriage are festering wounds to which his wife Rhea's professional success acts as rubbing salt. In the Talwar home, things are no better; Maya still does not feel any romantic love for Rishi and is guilty for her inability to have children.

Dev and Maya depart, in love after meeting for the first time, as Maya leaves for her wedding to Rishi

Dev and Maya realize that their situations are similar and decide to help each other repair their breaking marriages. Things do not work quite as expected however, and they become more and more drawn to each other. At the same time, Rishi and Rhea are working to keep their marriages afloat and are willing to see hope in even the smallest, most innocuous signs from their spouses. However, their efforts are insignificant in the face of Maya and Dev's intense unhappiness in their marriages and their growing feelings for each other.

Dev and Maya give in to a dreamy, coffee-drenched romance and realize they have fallen in love. However, due to a series of misunderstandings, Rhea and Rishi think that their spouses really love them and start to believe that they can make their marriages work. But after an incident in which the two of them fake feelings for their spouses in order to make each other jealous, Dev and Maya start to feel like they are cheating on each other with their own spouses. This realization brings them to a dramatic point of no return, and they end up sleeping together. Shortly afterward, they are caught in an embrace outside the train station by Sam and Kamaljit.

Sam, having lived the good life for a long time, ultimately has to bear the punishment of all his excesses. He has a fatal heart attack and as he lies on his death bed, he gives Maya some unconventional advice: he tells her to leave his son Rishi since neither of them are happy in their marriage.

Dev tells Rhea of his affair, with Maya, as their marriage comes to an end.

Things come to a head and Dev and Maya decide to leave each other and return to their spouses. But this reunion will not be without honesty, as they come clean and confess their extramarital affair. Both Rishi and Rhea decide that enough is enough and end the marriages. However, Maya and Dev each assume that the other has patched things up with their spouse; they speak on the phone and lie to each other, saying that all is well in their marriages.

Three years later, Rishi goes to meet Maya and invites her to his wedding. There, Rhea sees Maya for the first time in three years and realizes that Maya and Rishi were not together as she

thought. The news that Dev is still alone, combined with some prodding from Rishi and Rhea, convinces Maya to run after Dev. Dev is about to catch a train to Canada when he sees Maya. He hides from her because he had told Maya earlier that he was happy with Rhea and he thinks that she is happily married to Rishi. However, Maya finds him in his seat and he uses the emergency brakes to get out to meet her. Realising how alone the two of them have been, Dev proposes to Maya and she accepts.